Falling flowers, wild boar
Platinum short book
No.66 Second year of Platinum.
Hainano Yinsano
18x58cm
36.3x6cm(body)
Stay down.
Zhonglin Bamboo Creek (1816 〜1867) Kyoto was a southern painter from the end of the Jiangxi period. He was famous for his realism painting. His father was the author of works, such as “On Painting Book”.
Platinum
Hino Yizoro, Meiji 29 years into the Tokyo Fine Arts School, taught by Kana Xiaoxiong, a technician at the Jin Emperor Room. In the same year, there were Shikawa and Shijima City Taro, etc. The previous generation had Shimizu Shizu (Nanshan), graduated in Meiji 29 years, graduated from Meiji, graduated from Meiji 30 years, graduated from Masaki 32 years, etc.
Haino Silver Sandro Meiji graduated in July 34th, the number of grandeur, Daizheng died 11 years old, only 45.
(Tokyo Fine Arts School only set up a fine arts and crafts department at the beginning of Meiji 22nd year. The teaching content is only one piece of gold. It was only in September 38th that the platinum department was merged into a metal engineering department)
This work was completed in the second year of metal engineering, about 30 years ago in Meiji. The age of 20 years old, Hishino Yanziro selected the “Falling Flower Wild Boar” from Zhonglin Bamboo Creek as his lower base. It showed multiple gold-plated techniques such as blank, slicing, and elephant inlaying. The sharpness of the knife method is quick and without delay. One can’t help but question that this is really the work of students who have only been enrolled in school for two years. It is really a
From the source and the original attached short book, I learned that this is the old collection of the old house in the new village.
The work was originally a short book, frameless version. 輾 was commissioned by Tokyo frame making staff, simple design based on teak wood.
The bottom is also called the book, the drawing, the drawing, the manuscript.
Short books refer to long strips of wood, bamboo, metal, etc. for writing and carving purposes. Poets will keep the short songs and haiku written on them. People will also write prayers on short books and hang them up in order to make dreams come true.

落花に野豬
彫金短冊
第六六號 彫金科第二年
海野銀三郎
18x58cm
36.3x6cm(本體)
下絵
中林竹溪（1816年〜1867年)京都出身江戸末期之南畫家，名成業、字紹父，號竹溪，別號臥河居，以寫實畫著稱，其父是著作等身著有「 論畫書」的幕末文人畫的理論指導者中林竹洞。
彫金
海野銀三郎，明治29年入東京美術學校彫金科，師事彫金帝室技藝員加納夏雄。 同年有滑川兼彦(勝溪)、市島市太郎等， 前輩有清水龜藏(南山 ) ,明治29年畢業、 海野豊太郎 (珉乘) 明治30年畢業、四谷正美明治32年畢業等。
海野銀三郎明治34年7月畢業，號盛乘， 大正11年辭世，得年僅四十五。
(東京美術學校在明治22年開校之初僅設立美術工藝科金工部，授課內容也僅有彫金一項， 到了明治38年9月才分設了鍛金部合併為金工科)
此作品完成於金工科第二年約在明治30年前後 ，年僅約20歲的海野銀三郎挑選了中林竹溪的 「落花に野豬」為下絵，以鏨與槌展現了毛彫、片切彫、象嵌等多重彫金技法，刀法之利落明快毫無遲鈍之感， 讓人不禁質疑這真是入學僅二年的學生之作，果真是名師高徒。
從出處及原附短冊木額得知本作為新潟県村上家舊藏。
作品原為短冊素版無框，輾轉委託東京製框職人，以櫻木為材簡約設計。
下絵又稱下書き、下描き、就是底稿、畫稿。
短册是指為了書寫和雕刻等用途、所裁切出來木、竹、金屬等長條形物品， 詩人會把所作之短歌、俳句書寫其上留存起來。 七夕節人們也會把祈願之事，書寫在短册上懸掛起來，以期美夢成真。